THE MAGIC FLUTE
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| Nick Gee (Papageno) was
outstanding, both vocally and dramatically. |
| BUCKS FREE PRESS |
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| Nick Gee, as the birdcatcher, had a stage presence,
clear diction and a good timbre, […] and the final duet with Papageno and Papagena was joyful. |
| NODA |
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CARMEN
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| At times it was a little
hard to see some of the action because of the size of the chorus and having a circular stage, but Nick Gee as Carmen’s
latest love the toreador Escamillo shone through with smooth and solid vocals. |
| EASTERN DAILY PRESS |
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| Nick Gee brought a swaggering
confidence to the part of Escamillo with a rich resonance to every word he sang. |
| LYNN NEWS |
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AMAHL & THE NIGHT VISITORS
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| Once again, Nick Gee impressed
as Melchior, one of the three kings; Gee has the kind of velvety-toned baritone that I could listen to for hours, and it seems
particularly suited to this score. |
| Nicola Lisle, OXFORD TIMES |
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| Nick Gee impressed, as always, in his customary
role of Melchior. |
| Nicola Lisle, OXFORD TIMES |
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TOSCA
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| Francesc Xavier Zaragoza and
Nick Gee were in fine voice for their multi-roles. |
| Barrie Jerram, THE SUSSEX ARGUS |
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THE BARBER OF SEVILLE
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| In the name part, Nick Gee
was an ebullient and attractive Figaro. |
| BUCKS FREE PRESS |
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THE SELFISH GIANT (DEBBIE ROSE)
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| Professional input comes from
Nick Gee, in a masterful performance as the Giant. |
| Nicola Lisle, OXFORD TIMES |
